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In the realm of commissioning artworks, however, this attitude has changed dramatically, especially over the past two decades.
Providing this information in the contract enables the ' to make provision in a positive sense for what they should d<, 'Ml( future; for example, who should produce, deliver, install and maim- '** the commissioned artwork.
Every commissioning contract must contain the artist's promise to create the commissioned artwork - that is, an original work by the artist as laid out in the contract.
Who owns the commissioned artwork, and at what stage is title transferred?
For work that is not intended to remain in one location, the agree ment should deal with who is responsible for what happens to the commissioned artwork once it has been taken down and who is to pay for its deinstallation and storage: the artist or the commissioner?
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